[identity profile] twinsarein.livejournal.com posting in [community profile] sga_squee
An away team is investigating a planet, when suddenly a Wraith dart arrives. Major Sheppard and his team are able to shoot it down, but not before McKay and a soldier, Laura Cadman are scooped up. As there is not enough power in the Wraith dart to re-materialize them both, only McKay is taken out. He passes out immediately and awakens on Atlantis. There is something wrong however. Cadman has appeared in his mind. She is able to see and hear what he does and speak to him, driving him mad. After a meeting with psychologist Heightmeyer, Cadman realizes she also can take over McKay's body. While Zelenka works on a solution, major Sheppard tries to convince Ronon Dex to join forces and convince Weir that he is a worthy addition.  [Poll #1794287]

Comment 1A

Date: 2011-11-12 04:18 am (UTC)
From: [identity profile] helenkacan.livejournal.com
So, this is a change of pace for the opening of an episode: two teams together (Evan's and John's). But it seems the planet is a bust. Post culling, nothing's left. [Though, if that's supposed to be smoke rising, the columns appear to be too evenly spaced. Just saying.] Okay, so not full teams. It's John and two guys I don't recognize; Teyla, Evan and another nameless guy (unless any of the three are Reed and Coughlin); and Rodney, Laura Cadman and Carson. And we were just introduced to Laura, weren't we, with the arrival of Everett?
Re-rewatching with audio commentary by Peter DeLuise (director), Martin Gero (writer) and who else but the star of the show, David Hewlett. So, the signposts reminded P/M of WWII France. Then there's something about "burlap". Um .. was the backdrop made of it? They start talking about Jaime Ray Newman, wonderfully for them the first 5"2" female allowed in the Marines. Well, when you look at the three actors together, she doesn't look ALL that short in comparison. The episode title was originally going to be "All of McKay". Huh. Lacks a certain something. Not to mention the blatant copycatness to "All of Me".
So, mission's scrubbed and John's just ordered they return to the gate. Laura's giving advice to Rodney, that he should pick up some flowers for some woman. Huh? That's Rodney's reaction, too. Oh, that date. And, hey, wildflowers for a botanist (Katie Brown) would make a nice impression.

Naturally, Carson gets quite curious about the "date". Poor Rodney. He's in for a grilling. So, what's Carson alluding to, "What's this now? You have a date, Rodney. With a woman?" Um ... Rodney, is there something you haven't told the rest of the world that Carson knows about???

Of course, Rodney has to downplay the entire thing. Yeah, yeah, it's simply "two adults" before his brain catches up and he responds indignantly, "Yes, with a woman!"

At least Laura's giggling about it because Katie's excited by it. Awwwww. Though Laura's "not sure why, though". And then we hear of "girls' poker night" where tongues wag, 'cuz Laura knows a lot.

Rodney gets huffy about the inappropriateness of the conversation out in the field. But, then (thankfully), they're interrupted from their verbal tussle by a (oh-no) whine. Laura identifies the sound as a dart and radios John. Well, that gets everybody trotting at a brisk pace.

But it's not enough. As Laura orders the other two to scatter, Carson falls to the ground but Laura and Rodney are beamed up. Eeeek. Carson looks up, distraught.
Supposedly David ran toward the wrong camera. "Continually. More than once," he adds.
The gate is activated as the dart approaches. John, Teyla and Evan (and the other guys) shoot at it. It's damaged by a bazooka (???), but not destroyed.
Peter supposedly has a signature action that he always likes to blow up a tree. Well, in this case, he got his wish but it was already dead. David adds that "Rachel gets great glee" from firing those guns.
They're about to take another crack at it when they get Carson's frantic call to not destroy it because our fave scientist and cocky Marine are aboard (and not in a good way).

Carson's not too thrilled (more like scared out of his wits) as the hastily descending dart flies low over his body. I don't think he's going to like having to fling his body down onto the ground all the time.

Then we get chunks of dirt flying up as the dart ploughs into the ground, resulting in a huge cloud of blackness.
The trick to that was having the dart crash into a series of landmines.
The others rush towards it as Carson once again gets up off the ground. He settled back on his butt and hands and stares ahead. Only a few feet from him is flaming debris. He stares, aghast.
They say that Paul's a good sport and that he looks "good in dirt". They tossed no less than 10 buckets of dirt on him.

Comment 1B

Date: 2011-11-12 04:24 am (UTC)
From: [identity profile] helenkacan.livejournal.com
And ::takes a deep breath:: after that kind of a heart-stopping opening act, we get our opening credits. Both Jason and Paul are in the credits, just before David.
David's not too keen on his credit shot. He calls it the "terrified, wimpy shot". Awww, David.
Eeek again. Carson's approaching the bulk of the mostly intact cockpit of the dart, gun in outstretched right arm, when its shield disengages. There's a severely injured Wraith inside, trying to move. Carson lowers his gun and stretches out his left hand, saying he's a doctor and can help. Oh, Carson, you and your Hippocratic Oath. But, as Carson watches, the Wraith is reaching forward but is stopped by a hail of gunfire. Carson reacts angrily, but John shuts him down. "He was reaching for the self-destruct."

Carson still thinks the Wraith's the only one who could extract Rodney and Laura. Um, John doesn't think he'd "oblige". I agree with John.

Okay, time to get Radek out into the field, as quickly as possible because there's a "problem".

When the scene shifts, John's walking about the debris and some of it really looks not only alien, but weird. Radek and Carson are hunched over a laptop when nearby debris sparks, spooking Radek. He really, really doesn't like being out in the field. It's no wonder John guesses it's his "first time off-world". Great – perfect – body language from David Nykl. The widespread fingers, jagged body movement.
P/M love scenes between David Nykl and David Hewlett. When he did his reaction to the sparks, P/M asked if he'd "gone to clown college". And David, amazingly enough, replied, "Yes, I did!"
So, Radek's figured out where the storage compartment is. Hey, John thinks that's the end of the problem. He tells Radek to "command it to" rematerialize the contents.

Carson says the rematerializer is storing two life signs. That's good, but.... Only enough power in the dart's energy cell to rematerialize ONE of them. That's so not good. John has to make a choice. "Beam out McKay." Well, naturally, that's a logical choice. Only (other) problem. Radek can't tell which is which. Oh, the look of disgusted frustration on John's face. "Perfect." Because it so is not. But he points out the one on the left side of the screen.

Whoa! Didja see that outward whoosh. On a short trajectory, it sure seems much brighter and stronger than a culling beam. [Personal observation.] Yay, it IS Rodney. Except he's not exactly okay. He falls back in a faint. Okay, okay, passes out in a manly fashion. They all rush forward and Carson confirms he still has a pulse. Though it would be a good thing to get back to Atlantis immediately.
David remembers having to asume "the angry-at-the-crew-position" when he was beamed out. And learned how to make himself much heavier than he really is, by going limp as he fell.
So John orders Teyla and Evan to accompany Carson and Rodney back to the city. In the meantime, he's going to stick around with Radek to try to bring back "as much of the dart as possible".

Next scene we have that common establishing shot of Atlantis afloat. But this time it's against a cloudy sky (none of the customary sunrise or sunset views).

Rodney's in the infirmary with electrodes taped to his forehead. Carson's reporting to Elizabeth who's wondering whether, once the shock of the Wraith-like stunner effect wears off, they'll have "the old McKay back". Carson fears that'll be the case indeed.

Carson asks about the wreckage, but Liz confirms Laura is still somewhere in it. Liz asks if he knew her well, but he replies that he didn't, that she just came aboard with the new batch off the Daedalus. Though he does say she was lovely. And that she did save his life. Liz departs after reassuring him he'll be the first person she contacts when they find her.

Comment 1C

Date: 2011-11-12 04:30 am (UTC)
From: [identity profile] helenkacan.livejournal.com
That's an abrupt change of scenery. There's a team moving through the wreckage, taking it apart. Somewhere in a lab in the city. John's observing. A woman is cursing in another language as she lifts away a big chunk.
Okay, we get the translation of what the scientist is saying: "It's like the birth of my nephew."
Radek has good news and bad news. The good news is that Laura's life sign signature has been stabilized. The bad is that the very specialized transformer that would get the machine online again is fried. Looks like a 99 cent piece of hardware. Of course, Radek's working on reverse-engineering one. Yay for ingenuity! As John leaves, we hear Radek exhorting them to get back to work, yadda yadda. The yadda-yadda is all in Czech. [I only got "We must" of the entire sentence.]
P/M are laughing because at a con Q&A a fan asked them if they were concerned by the stereotypes on the show. When they asked what stereotypes, the fan mentioned David Nykl and his "terrible accent". And that's when they revealed that, dude, he IS from Czechoslovakia (now the Czech Republic). The fan was suitably embarrassed and apologized for saying it.
Another scene switch as we see John carrying a tray over to a table where Ronon's made himself very much at home, relishing his meal. He's eating with his fingers. [I love eating with my fingers, too.] John sits down opposite him. He probably figures he's immune, having observed Rodney at mealtimes.
David H loved this scene between Joe and Jason. Hmmm, I wonder why. The scene was originally not in the original. Instead they planned to have John and Teyla go to a dart factory and steal the parts they needed, but – luckily – it ended up being really bad; so luckily we get Ronon and John eating together.
After a Ronon-short (two words) approval of the food, John asks him what Ronon thinks of Atlantis. Another two-word answer (and that's if you count the contraction of "it's" to "'s").

John asks Ronon about his intentions. After he's "done here". Ronon's wondering if John wants him to leave, but John says to "stay as long as you like". And then we get the priceless recruiting line: "We could use a guy like you around here and you look like you could use a place to stay." Ronon lifts up the pitcher and takes a deep drink. Ronon merely turns to stare at the security guard standing there and says he doubts he fits in there. John says there's only one way to find out. Ronon asks if he has to decide now or can he finish eating. Hee! I love it. Also more words than have ever emerged from his mouth until now. John smirks and tells him to take his time. Then he shows Ronon a knife and fork. So, they work great? Well, Ronon uses the fork to lift up a big hunk of something, so etiquette lessons may have to wait a while.

Back in the infirmary, Carson's examining a patient a couple of beds over when Rodney comes to. Carson's telling him what happened when we hear Laura's voice, hailing "Dr. Beckett" and "Dr. McKay". Rodney leans over to look at the person in the other bed, wondering if that's "Cadman". But it's a stranger in the other bed. So Rodney wants to know where she is. Her voice replies, "I'm right here" just as Carson starts to explain she's still trapped inside the dart. To that, we hear her incredulous voice, "What?" Oh, this is starting to be fun. Especially when Rodney says, "Shut up for a second, I'm talking to Cadman." Then we get a hilarious back-and-forth (and that's some distance) in a disjointed conversation between THREE voices. Of course, Rodney figures it out when Laura does a peek-a-boo with HIS fingers and reveals the big secret. "Cadman's not trapped in the dart." He points to his head. "She's in here."
P/M said that – after the first season – they really wanted Paul and David H to do an episode together, because the two are really good friends. David calls it "muppet acting" when he reveals Laura's inside his head. Even though P/M wanted his hands near his head, David H actually said he liked doing that and that "Kermit was always an inspiration to any performance". Jaime was actually there physically to do her lines (and she was miked for the echoing effect).

Comment 1D

Date: 2011-11-12 04:36 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Back at the wreckage lab, Rodney's taking a look. He picks up the transformer and gives his judgment. "Oh, nice work." Obviously sarcasm. Radek tells him they were running out of power. Not only that, they knew "hardly anything about the machine". Rodney fails to see the big picture, that he's alive. Laura interjects to ask him if he know how to fix it. Oh, man, it's going to be hard to keep up with typing all these extra bits of conversation without a person attached.

Hee! Liz is standing right there when Rodney talks back to Laura. "Are you sure he should have been discharged from the infirmary," she asks Carson. Carson replies Rodney's as healthy as he ever was. That gets an immediate editorial commentary from Laura that it doesn't feel very healthy in there. Rodney hurls out a snippy reply.

Even John thinks there's something wrong with Rodney, something an MRI wouldn't have picked up. Rodney says he's not crazy. "I just have another consciousness in my brain."

John's so not helping. He says that Rodney only looks crazy. Gee, with friends like that.... Of course, that gets Rodney off on a real rant, this time because "Dr. Fumbles McStupid over here was way over his head". Naturally, he's ranting about poor Radek.

Radek gets huffy in return. "Yes. Yes. I made a mistake. Trying to save your life." [Hmmm. Verrry interesting. If you listen to David N as Radek, a lot of the time he omits articles "a" and "the" before nouns, as the Czech language and other Slavic ones don't need articles. But, for this declaration, he includes it.]

Rodney and Radek start a conversation about how they can fix everything until Laura starts to talk in Rodney's head, but Rodney's ignoring her. I guess he's still smarting over her remark about how not healthy he is in his own body. She gets so loud that he finally screams, "Yes! What?" And everybody in the lab turns to stare at him.

He tells her he'll get her out of there, but she should "just be a good little girlie and keep quiet". Well, she gets right back at him, not "to condescend" her because it's just as much her problem as it is his. No kidding. When Rodney pesters Laura whether she has a degree in Physics or Mechanical Engineering, Liz steps in. She nearly gets her head snapped off by him. She looks startled and Rodney offers a "sorry".

When he's a bit more calm, Liz suggests (oh, it's so an order and John agrees) that he should let Radek handle the situation and Rodney should see Dr. Heightmeyer. Yup, Liz is serious. "I'm not asking you." Everyone stares at him. We see an unidentifiable expression on Radek's face. Rodney utters "fine" and walks away. The music is lyrical, but that doesn't last long, because now Rodney's getting a talking to from inside, that he's "sulking and acting like a two-year old".

[Gotta stop now, 'cuz this is running long. On to the next part.]

Comment 2A

Date: 2011-11-12 04:56 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Major uh-oh. As Rodney's having a very loud argument with thin air, who should walk by but Katie Brown. She wants to know if everything's fine. Laura prompts him to reply he was talking "on the radio". Oooh, good save.

It's funny to see Rodney become all stilted and formal with Katie. She says she heard he ran into some trouble off-world. That would be a huge understatement. So ... they're "still on for tomorrow". Uh-oh, again. It's going to be a very crowded date. As soon as Katie walks away with a cute smile, Laura starts in on the lack of Rodney's knowledge about women. And offers to "help". Well, Rodney agrees with the first three letters of the word. He thinks it's his "own personal hell".
P/M talk about casting Brenda James as Katie. They called her "demure". They said they had to find someone "pretty enough" for Rodney to be interested in her and "nerdy enough" for her to be "interested in Rodney". Then P/M say that David "kisses a lot of people in this episode".
Change of scene. Ronon's in the gym, surrounded by Marines while John watches. Hmmm, only three against one. Hardly fair odds ... for the downed Marines. How embarrassing. When John suggests they try that again, one of the more brave Marines suggests, "How about you try that again ... Sir?" Well, John thinks that's enough for today.

Which leads us to Rodney talking to the back of a head, questioning her qualifications. Oh, great. Kate Heightmeyer says she's spent time as a couples' therapist. But, as Laura interjects mentally, they're "not a couple". No kidding again. But Kate's got a ready answer. "In Physics, a couple is defined as a pair of forces, equal in magnitude, acting in opposite directions." Rodney smugly thinks that's "very clever" but that they're "not equal forces". Laura's not pleased with that comment. He continues that she's "just a voice" in his head while he "has control of" his body. Laura says she's "seen his body and" he "can keep it". Ouch!

Kate wonders if he really does have independent movement, as Laura's already accessed speech and hearing. Rodney replies, "If she could, she would have by now." So Kate suggest he release control and asks him to consider what it would have been like if the positions were reversed.

Kate asks Rodney to close his eyes. We hear a weird "Hello" a couple of times in a non-McKay accent. It's ... Laura. She manages to lift a hand and then Rodney yanks back HIS control.
P/M say that "David has the most amount of dialogue, just inhuman how much dialogue he has" and David replies "Thank God". He loves having all of these opportunities.
Rodney says they've both calmed down and wants to be allowed to go back to work. Laura ... agrees? And then Rodney rushes off.

This part's fun. John is at the weapons' test range showing off a whole bunch of guns. Ronon lets loose with a P90. Yup, he knows how to hit the target. [BTW, I'm exhausted, so I need a break from noting all the Laura-Rodney dialogue.] Next comes a 9-mil. Also, no problem as the shell casings hit the floor in staccato precision. John says that's good, too. But, then, Ronon pulls out his blaster and we see him blast a honkin' crater in the paper target. Great use of the camera behind the hole in the target, with John leaning in against Ronon to take a good look.
David H loved this scene and kept rewatching it. And we learn that this is the first time that Jason had ever fired a gun! David loves the "peering in" through the huge hole. It cracks him up.

Comment 2B

Date: 2011-11-12 05:03 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Back in the at least two-level lab of broken parts, Rodney is standing over Radek as they both peer at a laptop screen. Rodney wants them to "start her up" but slowly. Radek doesn't agree because he thinks some of the calculations are wrong. Neither does the equipment, as there are explosive sparks flying everywhere. Oops. There's a wee bit of a disagreement between the unnamed German female scientist, Rodney and Radek.
P/M say she's cursing Rodney and his "lack of manhood". This was such an accent-filled episode and we learn that, when actors auditioned, they did the roles in their street voices but they all sounded too Vancouverish. So they were asked what accents they could do? And actors are usually pretty happy to list extra stuff on their résumés to get work. Well, that's how we got all these accents and languages. And that's a good thing, methinks. Oh, dear. Bad joke. "German people have been known to be scientists." And they got to take advantage of all those "cool flags" everyone was wearing. Then they talked about the whole supposed to be an international expedition. David H kicked in about McKay being Canadian but not "the quintessential Canadian". Not "nice, polite and apologetic about it".
Uh-oh. Radek's accused Rodney of making mistakes, that having two consciousnesses in his brain is "very taxing". Wow. Rodney looks stunned and appalled by that accusation after he looks at the screen. He shoves the laptop at Radek's chest and takes off. Radek looks off with determination into the distance after him before his brow gets furrowed and he realizes how much he has ahead of him. Also, that whole bit of acting between the two Davids is accompanied by a plaintive melody in a minor key.

It's nighttime. Rodney's walking through the corridors when John comes across him. Rodney can't sleep and is trying to clear his head. And John's already heard the transformer test didn't go well. John wants Rodney to know that it was his decision to shoot the dart down. Remarkably, Rodney says he understands that the alternative would have been far worse. Then we get, "No. You're cool. I'm fine." John thinks Rodney should get some sleep. Laura agrees.

Rodney's back in his quarters. Oh, hai, wall of achievement and accomplishments, etc.
There's the Canadarm. Then a picture of Rodney holding his own diploma, the "yay me" moment. On the nightstand is a Tim Horton's mug.
Rodney face plants, his head turned to one side. Awwwww. He looks so cute. Uh-oh. We see eyelids open and look about warily. The music turns mischievous. You know that can only mean one thing. The mice are coming out to play. Or Laura. We see hands slide down the sides of the ribs (where a bra would normally be), then down over non-existent breasts, before lowering the zipper of the short-sleeved blue science shirt.
They say that David did a lot of "sexy walks" in this episode and, OMG, he really was checking for his "underwire bra". So they had Jaime walk through the scene and perform them while David watched so he could emulate her movements.
Now it's time to pay Carson a late-night visit. Carson's drinking a cuppa and at his laptop. Hey, a hand on one hip. Uh-oh. I know it's not Rodney. He's being all loose-limbed, and happy. And then the speech. Oh, yeah, tell Carson that Laura's "calming". When Carson says, "She seems like a lovely lady," Laura-as-Rodney pats him on the hand and says in this ever-so-sweet voice, "Oh, that's so nice." Carson glances down wondering WTF and then up again.
P/M are talking how David picked up the "slight American accent" and "her vocal metre". David also mentions that "she did a little bit of a drawl herself". They tape recorded all of her lines, so that David could listen to them.

Comment 2C

Date: 2011-11-12 05:10 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Then L-as-R steps back and adopts a much more manly stance, a thumb hooked through a belt loop, before asking if Carson would like to "ride shotgun" on his date with Katie tomorrow. Oy. The mannerisms are wonderful to watch, but then it's David's acting talents for physical comedy that are highlighted.
P/M said that L-as-R realized she was being a little "too prissy" in Rodney's body, so he had to step back and "butched up". Peter and Martin are sorta, kinda gushing over each other's little additions to the script and direction to make David's performance so believable.
Okay, now we really know that this is not Rodney when he says "it's no secret" that he's "terrible with women". Carson looks flustered, or perhaps even floundering like a fish out of water.

Well, the overtly masculine poses didn't last long. Now L-as-R is leaning against the furniture and swaying back and forth until Carson agrees. L-as-R gives Carson a two handed thump against his chest and frolics off, once again with that mischief-in-the-air music. Carson's still floundering.

Now we see an early morning Atlantis shot. And Rodney on his back, mouth open, drooling, and making a few shnuffly sounds. Suddenly he's aware of his surroundings and rises up. Whoa! Wait just one minute. He's not in his quarters. We see some framed pictures on the nightstand and the biggest one is one an older man and woman on either side of a young woman in ... Marine uniform. He talks to his reflection in the glass of the picture. "Where am I?" The camera moves back and we see him covered by a sheet to the waist above which he's nekkid. Next question. "Where are my clothes?" A sleepy voice replies. Of course it's Laura. She wants to sleep longer. Even though it's – eek - 2 in the afternoon!

She also says his mattress "sucks". What? Rodney's super-expensive prescription mattress? How can that be? How did he get there? Well, she just walked his body over to her quarters when he was asleep.

Next even worse question. Where are his pants? Oh, they're over there on the chair. Rodney suddenly feels very vulnerable and clutches the sheet around him and up to his neck. Yup, buddy, you do need to set boundaries. But Laura's "kinda used to sleeping in the buff".

Rodney can barely stand up, he's in so much pain. Oh, his burning legs? Laura took them for a run before bed. ::giggles:: It's hilarious to see him trying to get dressed one-handed (fumbling with his boxers?) while standing and still clutching the sheet. Once again, David's terrific physical attributes. [Oh, get your minds out of the gutter. Not those attributes!] He tells her, rather in vain I believe, not to look.
P/M are laughing because he originally wore his boxers underneath the sheet "to protect his nether regions" or to "protect the cast" from said anatomy. Then they say how "art-house movie Hewlett" was when he took his pants right off. ::giggles at the reference:: I guess they've seen "Where the Heart Is" and "Century Hotel". P/M are joking that they'll be flipping through late-night TV and fear they'll come upon a naked David Hewlett in one of his many naked roles. And he gets complimented for stripping down and the "chance" that they might get to see what he's made of. We also learn that the set was "very cold that day". Oh, poor David.

Comment 2D

Date: 2011-11-12 05:16 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Elsewhere, Teyla's swinging one of her bantos sticks. Her opponent is ... Ronon. She has two but he only has one. Now this should be very interesting to watch. They whirl about attacking each other until John walks in through the door. He thought this was supposed to be his session with her, but Teyla says he was late. Whoa, when she was distracted, Ronon yanked her stick away and hit her, ending up ready to choke her while she's on the floor. John's more than a bit concerned. Though Ronon says he wouldn't have hurt her. Oh, that's a big relief.
They talked about how hard it was to find a stunt double for Jason because of his size, though eventually they did. Obviously.
Ronon stalks off as Teyla recovers her breath, with one hand at her throat. So, she told Ronon he didn't have to go easy on her. John warns her of too literal interpretations.

Back in someone's quarters (I guess Rodney's if he's getting ready for his date), Laura is trying to convince him to let her tag along. Rodney is so not thrilled and declines the offer from "Cyrano". But Laura doesn't agree. She says it's been "a living hell" for her and they're doing it. Together.
David says it's the longest it's ever taken him to put on a watch.
It's nighttime. Outside and in. How accommodating. There's lots of candles lit and soft, romantic music (I mean Joel's score). Oh, wait. It's not the date. It's Teyla in her quarters.
Originally, she was supposed to be reading a book. Seriously? But then they found out she could do the splits and the book idea went out the window.
So she's doing the splits on the bed when we hear the doors whoosh open. Surprise. It's Ronon taking up a whole lot of room, arms spread wide to touch both sides of the entrance. He wants to apologize. Teyla asks him to come in. But Teyla's okay with what happened. She thinks it was "impressive". Yeah, it was.
Oh, a dreadful joke. Ronon's the plumber coming to fix the toilet. ::groans::
She indicates a place to sit and asks how he's finding his training. Ronon thinks it's a test. Teyla says John believes Ronon could be a great help to them. Tactical switch: Ronon asks why she joined them. Despite her people's strength and pride, she believes "Atlantis is the best hope" for them all. Teyla suspects Ronon feels the same way or he would have already left. [Character musings: I wonder if TPTB ever had any plans to pair Teyla with Ronon. 'Cuz I think they look fabulous together, even with their mismatched heights. I can imagine future seasons going in a completely different direction. OTOH, I can haz imagination.]
P/M said it was important for Ronon to ask the "other alien" what's up. David said it was fun to watch because they're "two pretty people". And they all talk about the sexual tension that was there. So, it's not all just my imagination.

Comment 3A

Date: 2011-11-12 05:25 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Well, finally we are in Katie's quarters where we see her pushing a chair toward the table for her unexpected other guest, Carson. Before Carson has a chance to explain (though, how can he without spilling the beans), Rodney shows up. Oh, he cleaned up real good for his date. A dark jacket over a real shirt.
Speaking of "pretty", David gets that compliment, too. BTW, we're in Kate's office, redressed to be Katie's quarters. Then, P/M spoiler things by saying the "kiss at the end was never planned". Guys! I'll talk more about it at the appropriate time.
While Katie excuses herself to get the first course, we get more hijinks. Rodney wants to know why Carson's there and Carson replies that Rodney invited him. Oh, he so did not. Wow, Katie's got huge quarters and there's that dramatic floral arrangement behind the two men on a table draped with ... drapey things.

As Katie is serving Carson, Rodney's already digging into his salad until Laura admonishes him. Stop eating and make a toast. Well, he starts out and ends up sputtering words. But he manages to make it through on his own; then Laura adds her two cents' worth. Or more, but she's having trouble because Rodney's not listening. He's busy guzzling down the entire glass of white wine.
David mentions he had to drink at least 10 glasses of the fake wine and had to pee soooo badly!
BTW, Katie's wearing a stunning satin bronze-copper top that complements her hair colour. Then Laura tells him to go ahead. He needs to get drunk and to loosen up. She gives him a rewarding "Good boy" when it's all gone. I think that's in retaliation for Rodney's "good girlie".

As the meal goes one, Laura needles Rodney to say something, to start a conversation. Well, he tries. And Katie's straining to hear whatever he's about to tell her while Carson just looks confused.

I think we're all about to get more confused. 'Cuz there's that telling hand on angled hip, so we know that Laura's in charge of this body. And boy does she ever take charge! After taking her hand and telling Katie that L-as-R is very, VERY [terrific emphasis on those words] interested in her, but unfortunately has to leave RIGHT NOW, L-as-R bends Katie backward (hey, it's tango time) and plants a huge kiss on her (while Carson just look uncomfortable). Enough so that's she's whimpering. When he releases her, he says, "See you soon." Then he (as L-as-R still) lays a palm against Carson's cheek, utters a "Hmm" and strides out.
David said the hand on the face was an "homage to Little Britain". ::iz confused:: I'll have to check that out, 'cuz I have all the DVDs of LB.
The walk down the corridor is hilarious, as the two consciousnesses are battling for control of one body. [Oh, dear, I just had a coughing fit when he slapped himself. Uh, she slapped himself. Well, you know what I meant.]
David said that, "for an actor, those scenes are a dream come true".
Oh, thank goodness. Saved by (was it) a city-wide announcement to report to the hangar. Radek's there with his laptop, as are Liz and John. He's explaining what he's done. Then they get a demo. Live white mice dematerialize and dead charred mice rematerialize. Yoy-yoy-yoy. That's not good. Also a very obvious observation from John: "Those mice used to be a different colour." Ya think?

Rodney's having a semi-panic attack, thinking he's going to be stuck like this forever. Boy, the look he gives Radek is not happy. Glaring in its unhappiness.

It's nighttime and John is visiting Liz. So, Liz, what's not a good idea? Ahhh, John wants Ronon. As a part of the city. On his team. Well, despite her misgivings, Liz agrees to talk to Ronon.

Comment 3B

Date: 2011-11-12 05:32 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Back in a session with Kate, Rodney wants an apology from Laura. Oh, joy. We're watching a ping-pong match between the two faces of M. Rodney McKay. So. Much. Fun. [Oh, dear. I'm guffawing, because I get the innuendo from Laura about what kinds of "stuff" Rodney could be doing.] Kate's going to have to have a really long session with these two.

Meanwhile, in the gym, Ronon's teaching hand-to-hand to one guy while he's surrounded by a whole bunch of Marines. But Liz walks in through the door and interrupts him.
That's not the only interruption. Joe F has just come into the audio commentary. ::waves hi:: P/M are saying that, while they thought there was great sexual chemistry between Teyla and Ronon, so is there between Liz and Ronon, especially as she doesn't know how to deal with him. David adds that, in any scene with Jason, there's sexual tension. Even the mice were //too muffled to hear the words//.
Ronon crosses his arms (closed off body language) as he listens to Liz. Apparently John already extended an invitation for Ronon to join his team, but Liz says John should have spoken to him first. That just gets a simple "okay" from Ronon. When she goes on about it being a big decision, he says he's thinking about it. And so is Liz. "So I guess we'll just keep in touch then?" gets another "okay" back from him. Liz echoes the "okay" with a very strange inflection. I don't think any of her diplomatic treaties on Earth ever prepared her to deal with anyone like Ronon. She watches as he returns to training with the guy.

We cut immediately to an angry Rodney (as Rodney) ranting at Kate. Well, L-as-R snarks back at him. He missed his opportunity to get inside the "mind of a woman". Uh-oh. As Rodney's temper is exploding, he seems to suffer a seizure. He falls out of the chair and onto the floor.
David admits he loves fainting, both in real life and in acting.
Change of scenery with another outside shot of Atlantis. Then it switches to – where else but – the infirmary and Rodney in scrubs in a bed. When he opens his eyes, he asks Carson what happened. Well, the constant battle over the body is causing it harm. And one of the consciousnesses will have to let go. Completely. L-as-R says she can already feel it happening. Rodney asks if it's always been like that. Only for the past few hours. And Rodney's felt it too. But he thought it was just from fighting with Laura.
P/M are talking about "All of Me" as well as "Quantum Leap" for how it was to play two people here, both internally and externally, vs the other split personality examples. Also, this was actually the first day David Hewlett shot the dual roles. So he was worried that, if he didn't succeed here, how would he get through the much tougher scenes.
Rodney asks Radek where they're at. Okay, so progress. The mice have been rematialized successfully. Oh, yay. Or not. Rodney says, "But?" Radek replies, "They didn't survive." Carson seals their fate. "I'm afraid if one of you doesn't let go, both of you will die." Carson gets a hand up with an "I'll do it". But who was it?

It's now nighttime. Rodney's having an internal conversation with Laura. So she's the one who's sacrificing herself. Oh, she's having Rodney write a letter to her folks and wants him to deliver it to them. But Rodney doesn't know when the next time he'll---

Then it comes to him. "The gate. We can use the gate." Carson hasn't a clue as to what Rodney's talking about. He thinks they can use one of the control crystals from the gate to stabilize the dart system. Despite Carson's concerns, Rodney gets out of bed saying he doesn't have time to talk. He has to get things done before the next seizure. Oh, this is magnificent Rodney at his best. Carson sighs after he's left.

Comment 3C

Date: 2011-11-12 05:39 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Rodney makes the crystal switcheroo and wants to go ahead after a successful simulation. Radek's trying to counsel caution. Rodney, however, would prefer "not to suffer a fatal seizure" while Radek rounds up some more mice for further testing. Hey, makes sense to me.
They decided to add the bathrobe to the scrubs to show the immediacy of him needing to be there. And David H said it was his shout-out to "Hitchhiker's Guide to the Galaxy". Besides, David thinks that "bathrobes are just funny".
Awww. Laura interrupts him to thank him. Then a whole bunch of people arrive. Carson, John, Liz (she looks especially worried). John is too. After all, "all the mice died". Rodney quips, "Well, what are we ... mice or men?"

Liz looks to Radek for confirmation, but – hey – Rodney's determined to go through with it. He asks for a second, then steps back. I guess this is his final farewell, just in case things don't work out. Just as Radek's about to do stuff, one finger goes up in the air. And the hand on the hip. It's L-as-R. She takes a couple of steps over to Carson, grabs him by the lapels, hauls him in and kisses him like Whoa. Liz looks away. John looks sorta amused. "Just in case this doesn't work." And, then, it's Rodney staggering back, hands all weird. He's so not happy that she made him do that.
They're joking that the kissing scene was supposed to go on and on. But, referring to the previous kissing scene, P/M were saying that it was only fair – considering that it was Laura kissing Katie, so it should be Rodney kissing Carson. Originally, once news leaked out that there was going to be a male/male kiss, they were worried that it would get cut from the shooting script because of the controversy. Yes, even today. [Well, at the time.]
Anyway, Radek engages the transfer. Rodney's whooshed away and two bodies whoosh back. And promptly fall to the ground. Of course they're going to the infirmary.
Ah ... interesting. Laura was in the same pose as when she was trying to push Rodney away. That's good continuity.

Comment 3D

Date: 2011-11-12 05:41 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Finally, we have that lovely Atlantis sunset. John accosts Liz, asking if she had a chance to talk to Ronon. Awww. John looks so hopeful. Liz can't string him along that much longer and finally says "yes". Meanwhile, back in the infirmary, it's like a companion scene to the beginning: Rodney in the bed with electrodes taped to his forehead. Rodney, you shouldn't sleep with your mouth open. I guess that's because he's lying on his back. His vision blurs and then gets back into focus as he spots his feet.

Then he hears a familiar voice. "Feeling better?" When he glances over at the next bed, it's empty. Oh, no. Didn't it work? Well, the voice prompts him further so he turns to his other side. And there's Laura with her hair down giving him a little wave. Wow, does she look like 12? And Rodney admitting to learning a "lesson in pride". Laura, too. While Carson's at Laura's bedside, Radek's at Rodney's. And Rodney compliments him. Hey, Radek, note the date. Well, even though it was Rodney's idea after all.
Originally, they thought the episode would run short, so had another Laura/Rodney scene where Rodney's trying to say that he thinks he may be into Laura. So she kisses him and there's nothing. On the way out, she slaps Carson on the ass. David jokes about ALL the ass slapping going around. But, then, they decided not to go there, as it would have cheapened the possible relationship between Laura and Carson, not to mention the possible relationship between Katie and Rodney. So they cut it. But the first photo leaked was of Laura and Rodney kissing ... and then it never happened.
Okay, let's have a party, 'cuz John and Liz are there, too. And John's being all Mr. Smirky-Smarty-pants, saying that Laura's survived what may be his "worst nightmare". When Rodney gives him a curt "thank you", John gives him a smirk, too. No, Liz, Rodney and Laura so do not want a moment together. They want to be alone. Finally they all drift away, Carson the last to go. He squeezes Laura's hand. Actually, it was a cute ending, as Laura and Rodney both smiled at one another with a look of acknowledgment between them. And, then, fade to black against a backdrop of pretty music. Cue closing credits and that's a wrap.
David H gets another round of compliments, that "he kicked the crap out of the episode" and "how are you so awesome".

Closing thoughtts

Date: 2011-11-12 05:44 am (UTC)
From: [identity profile] helenkacan.livejournal.com
Oh, I've been waiting for ever to see this episode again. But I'm forcing myself to watch them in order, because I want to have my own sense of continuity. When I originally saw the promos, I didn't understand why David H was ... uh ... flouncing around, acting stereotypically gay. But I've become accustomed to the nuances and figure that some of the so-called flouncing would be because of the different sizes of the bodies and shifting centres of gravity. So Laura would have to make his body overcompensate.

Even though there was so much snippiness between them, I thought the ending was sweet. They'd both endured a truly alien experience and survived it intact. It was a shared thing.

I could probably say a lot more, but – ouch – I've been sitting here for HOURS. And I have a church conference in the morning. I haven't even washed my hair. Yadda-yadda-yadda. So I'm off to get ready. See everybody next week.

Date: 2011-11-12 10:45 pm (UTC)
From: [identity profile] helenkacan.livejournal.com
It seems odd to me that bullets could bring down a craft designed to fly in space and withstand space debris, but it seems to work. Teyla damages it.
From what I've gathered over the seasons, darts are short-distance craft and can't fly much outside of atmosphere. So, if you see one (eeeeek), then there's bound to be a Hive ship nearby which brought them to a planet. Also, it's P-90 fire (but not handguns) that can bring them down, but - even then - I'd guess the guns would need to be targetting vulnerable parts.

Date: 2011-11-12 10:47 pm (UTC)
From: [identity profile] helenkacan.livejournal.com
The poor guy is having a little bit of difficulty with the jello *g*
I didn't catch that bit with the jello, so I'm giggling merrily!

Date: 2011-11-12 10:53 pm (UTC)
From: [identity profile] helenkacan.livejournal.com
::using my pissed-off Rodney icon for good reason::
Back to Rodney, he's having his first meeting with the shrink. She talks him into allowing Cadman to have control of his body - which means she's a very good shrink. I'd have been much more reluctant to hand over control of my body to someone else. Maybe Rodney doesn't have many trust issues.
Oh, I believe Rodney does have trust issues in many areas. But, as he considers psychology/psychiatry as aspects of voodoo (medicine) and ::huffs in irritation:: "soft sciences", I don't think he's all that concerned. He may have also learned that playing along will placate the doc and then he can go on his merry way (and back to HIS way of doing things). Which is what he does. Yes, he gave up control, but now he has to get back to doing IMPORTANT sciency stuff.

Date: 2011-11-12 11:13 pm (UTC)
From: [identity profile] helenkacan.livejournal.com
There's a story about the mice from the director or writer (I get them all confused). Supposedly, the SFX department went all out, creating jelly molds of mice with their guts hanging out. You'd think it was like a Halloween episode. In the end, TPTB decided that the real-dead-mice looked just TOO gross, so decided to go with the crispy fried kind (less disturbing to see).

Okay, about Ronon being on the run for 7 years, even though the Wraith we see in the Pilot of S1 are sleeping and awaken 50 years too early, I tried to reply to your question in an earlier episode. First of all, the Pegasus Galaxy is a big place. Um ... it's a galaxy, after all. So there will be Hive ships spread out throughout it; otherwise, not all the Wraith could survive if they had to be fighting over their food supply on just a couple of planets. [Ugh.] So I figure they stagger their hibernation and awake periods, so that not all Hives are hibernating at the same time. If they were, I could see some civilization get technological enough and try to destroy the nearest one.

Also, we don't know how far Sateda was from Athos. And Ronon's been jumping from one world to another, always on the run. So he may have crossed through a whole bunch of gates to end up closer to Atlantis than to his former destroyed world.

We don't really know this now, but the Hives are in competition with each other to see who's ... uh ... top dog in the pecking order. Whose queen is stronger, etc., etc. But, at the same time, they don't encroach on another Hive's territory. It's only in later seasons that the Lanteans manage to help with the jealousy factor among Hives, so they'll end up fighting each other instead of Atlantis.

So, does that help make things clearer?

Addition to Comment 3A.

Date: 2011-11-17 05:46 pm (UTC)
From: [identity profile] helenkacan.livejournal.com
NOW, L-as-R bends Katie backward (hey, it's tango time) and plants a huge kiss on her (while Carson just look uncomfortable). Enough so that's she's whimpering. When he releases her, he says, "See you soon." Then he (as L-as-R still) lays a palm against Carson's cheek, utters a "Hmm" and strides out.
David said the hand on the face was an "homage to Little Britain". ::iz confused:: I'll have to check that out, 'cuz I have all the DVDs of LB.
Aha! I didn't need to watch LB, I remembered it all by myself. In Little Britain, an absolute scream of a series from ... duh ... Britain, most of the characters (male and female) are played by two terrific male actors. Each show consists of several skits with recurring characters. One skit series includes Tony Head (Giles from Buffy, shown in the icon as the Prime Minister - yes, really - in LB). The PM has a really obnoxious, really obviously gay (and obvious) secretary whose name is Sebastian. Sebastian is always fawning over the PM and making suggestive comments.

In the icon above, it takes place after the PM has asked Sebastian to perjure himself, by signing some papers that validate that the PM knew nothing about arms sales to some foreign country, even though he really did. Well ... Sebastian says he'll sign, but the PM will have to do something for him in return. In the next scene, Tony Head as the PM is dressed in a studded leather G-string, holding a feather duster. He's made to dust his own desk, with Sebastian telling him to ... uh ... bend over, so we see Tony's terrific backside, while Sebastian is sitting on a stuffed couch drinking (pinky up) a cup of tea.

So, anyway, I just wanted to pass that bit of trivia along.

Anyway, now you know who Sebastian and the PM are. In another episode skit, the PM says he's about to make an announcement. His wife (you can just imagine Sebastian hissing at her) is here and the PM mentions that they're going to have a baby. I believe there's champagne passed around. Well, Seb has some (a lot), then approaches the PM and gives him the kind of kiss that L-as-R gave Katie. Before Sebastian leaves (all heartbroken because he'll never get his chance at the PM), he cups the PM's cheek.

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